Latest News:

La Calisto reviewed by New York Classical Review

"Alison Taylor Cheeseman mined comic gold in the dual role of the goddess Diana and Jove disguised as Diana for the purpose of making love to Callisto. (I am not making this up.)  The dignified goddess struggled girlishly with her vow of chastity when it came to the handsome poet Endymion... When the singer added a touch of masculine swagger, all of a sudden there was the king of the gods plotting his latest conquest. Cheeseman delivered it all with firm voice and striking presence. "

Caramoor, Summer 2016

I spent June/July of 2016 as an apprentice artist with the Bel Canto Opera program at Caramoor.  It was a tremendous learning experience, with lectures and master classes on various aspects of bel canto style and vocal technique.  On the performing side of things, I was thrilled to be a part of the U.S. Premiere of Rossini's Aureliano in Palmira.

Ariadne auf Naxos reviewed in the New York Observer

“Among a generally excellent company, another standout was Alison Cheeseman, singing the passionate phrases of the Composer in a cool, slightly reedy mezzo aptly suggesting the voice of a young man still in his teens.” James Jorden, The New York Observer, June 15 edition

Recent Performances:

Me Prometheus, July 2017

This July I was honored to take the stage as The Great Neepaz, leader of the Gurg, in a musical tale about the discovery of fire and the difficulties of adapting to a changing world...

La Calisto, August 2017

In my performance career thus far, I have played women and men, young and old, rich and poor. On the power spectrum, I once made it as far as emperor. This August, I'm pleased to announce, I will take it one step further and impersonate divinity, performing the role of Diana (and Jove disguised as Diana!) in a production of Cavalli's La Calisto.