Alison Taylor Cheeseman mined comic gold in the dual role of the goddess Diana and Jove disguised as Diana for the purpose of making love to Callisto. (I am not making this up.) The dignified goddess struggled girlishly with her vow of chastity when it came to the handsome poet Endymion. … When the singer added a touch of masculine swagger, all of a sudden there was the king of the gods plotting his latest conquest. Cheeseman delivered it all with firm voice and striking presence. — David Wright, New York Classical Review
I spent this June/July as an apprentice artist with the Bel Canto Opera program at Caramoor. It was a tremendous learning experience, with lectures and master classes on various aspects of bel canto style and vocal technique. On the performing side of things, I was thrilled to be a part of the U.S. Premiere of Rossini’s Aureliano in Palmira. (Read more about it in the New York Times and Financial Times, among others!).
“Among a generally excellent company, another standout was Alison Cheeseman, singing the passionate phrases of the Composer in a cool, slightly reedy mezzo aptly suggesting the voice of a young man still in his teens.”